![]() I think the way in which that group did it, and I’ve got to shout out, Robbie, Harriet, Zabo, David, Saba, and Madoda and Craig, who really crafted the story over those years, and it went through a lot of ups and downs.īut like I said, I am really interested in stories of people on the margins of society. Why did these stories resonate so deeply with you?ĪKIN OMOTOSO: The stories resonated deeply with me because I think, on a number of levels, one is the idea of again, creating a space where … We all love stories, so there’s a space where these stories are being groomed organically. So it’s in Zulu, subtitled.ĭEMAND AFRICA: Vaya was born out of The Homeless Writer’s Project, as you said. So you really get a sense of the textures of that community and so on. They never meet, and their stories are intertwined.ĭEMAND AFRICA: What language is the film written in?ĪKIN OMOTOSO: Vaya is written in Zulu, which is the language that, again, out of the organic process, this is the language of the streets and we thought that we really wanted to retain the authenticity. All three board the train at the same time. And in the third story a man is promised a job and he discovered the job isn’t what he thought it would be. The second story, this young woman has to return a girl to her mother, she gets to Joburg and realizes the situation isn’t what she thought. He goes to Joburg to find his auntie, the only one who’s interested in the body. All three of them have a mission, the first one, a man, tasked with bringing the body of his father back home. #Queen of katwe on demand movieThis was a real blue print of what can happen when you leave something to grow organically.ĭEMAND AFRICA: The plot of the movie, in light of that?ĪKIN OMOTOSO: The plot of the movie is… three strangers get on a train from Durban to Johannesburg. It came out of that kind of organic process, but we as a company, are really interested in those kind of stories. Then, there were four gentlemen left, and the film Vaya is based on their experience coming to Johannesburg, so it’s based on true stories. The group was large to begin with, and as the years went on, it got smaller. Then over the course of six years, the story of Vaya was born. So, what initially started as a therapy or way which people… Found a place where they could share. And Robbie Thorpe, who is also co-producer and co-writer on Vaya, and my partner with RIFIFI pictures, set up a space where people from the streets could come and share their stories. It ran for three seasons, and once that finished, we wanted to continue that exploration. #Queen of katwe on demand seriesSo, there was a book that we adapted into a TV series, the TV series was called A Place Called Home. ![]() So we were interested in that kind of exploration. We very rarely see stories about people from … Who live on the streets and that kind of sense. ![]() What drew you to this project?ĪKIN OMOTOSO: Vaya came out of a process called The Homeless Writer’s Project, which in itself came from another TV series by my company and I did … We’re really interested in people who lived on the cracks of society in Johannesburg in particular. DEMAND AFRICA: Your latest project is Vaya. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |